Mixing engineer. Pro Tools HDX. Dolby Atmos certified. The engineer for artists who need their sound kept intact.
The mix is not the destination.
It's the last honest conversation between the artist and the listener.
Compression is not control.
It's the difference between a record that breathes and one that suffocates.
The room hears what you can't.
Every session starts by listening to what the track is already trying to say.
"The most important mix is the one the artist stopped believing in."
Bedroom Demo → Spotify Editorial
Mara Delacroix
Nightjar Records
Mara brought in eight months of bedroom recordings — beautiful songs buried under acoustic mud and consumer-grade converters. The mix preserved the intimacy while opening up the low-mids, tightening the low end without stealing the warmth.
Placed on Spotify's "Fresh Finds" editorial playlist. 280,000 streams in first month.

Technical Details
"Silence is a mix decision. The loudest thing in the room is what you leave out."
Feature Score — Dolby Atmos
Director: Soren Halverson
Post-Production: Criterion House
A 94-minute psychological thriller scored for 40-piece chamber orchestra. The Atmos mix places the score in three-dimensional space — strings overhead during the dissociation sequences, bass frequencies felt through the floor during the pursuit.
Theatrical release in 38 countries. Atmos certified for Dolby Cinema. Nominated for Best Sound at BAFTA.

Technical Details
"When the director keeps rejecting mixes, the problem isn't the engineer. It's the brief."
Global Campaign — 60s Spot
Agency: Volta Creative, NYC
Client: Meridian Motors
Seven rejected mixes from three different engineers before this brief arrived. The creative director wanted "raw but premium, like a garage band that drives a $90,000 car." The solution was contrast — lo-fi guitar texture against a pristine orchestral swell.
Campaign ran across 14 markets. Won D&AD Pencil for Sound Design. Zero revisions after delivery.
Technical Details
The Room.
The Chain.
A 480 sq ft purpose-built mixing room with 22ms RT60, calibrated to Dolby Atmos standards. Everything in the chain exists to serve the music, not impress the client.
DAW
- Pro Tools HDX
- Logic Pro X
- Ableton Live 12
Monitoring
- Genelec 1032C (main)
- Auratone 5C (mid)
- Sennheiser HD 800S
Outboard
- SSL G-Bus Compressor
- Neve 1073 Preamps ×8
- Manley Massive Passive
Format
- Dolby Atmos 7.1.4
- Binaural Render
- Netflix / Apple delivery
Download Studio Specs
Room dimensions, full gear list, monitoring chain, and rate card. Everything you need to pitch this studio to your team.
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