Studio control room with mixing console, faders, and monitors glowing in a dark room
REC
Waveform Studio / Session Open

Mixing engineer. Pro Tools HDX. Dolby Atmos certified. The engineer for artists who need their sound kept intact.

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Philosophy

The mix is not the destination.

It's the last honest conversation between the artist and the listener.

Compression is not control.

It's the difference between a record that breathes and one that suffocates.

The room hears what you can't.

Every session starts by listening to what the track is already trying to say.

The Work
Selected Work
01

"The most important mix is the one the artist stopped believing in."

Indie Folk / Dream Pop

Bedroom Demo → Spotify Editorial

Mara Delacroix

Nightjar Records

Mara brought in eight months of bedroom recordings — beautiful songs buried under acoustic mud and consumer-grade converters. The mix preserved the intimacy while opening up the low-mids, tightening the low end without stealing the warmth.

Placed on Spotify's "Fresh Finds" editorial playlist. 280,000 streams in first month.

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Young woman recording vocals in a home studio with soft afternoon light and acoustic panels
01

Technical Details

Format48kHz / 32-bit Float
MonitoringGenelec 1032C + Auratone
Session3 days / 11 tracks
02

"Silence is a mix decision. The loudest thing in the room is what you leave out."

Film Score / Immersive Audio

Feature Score — Dolby Atmos

Director: Soren Halverson

Post-Production: Criterion House

A 94-minute psychological thriller scored for 40-piece chamber orchestra. The Atmos mix places the score in three-dimensional space — strings overhead during the dissociation sequences, bass frequencies felt through the floor during the pursuit.

Theatrical release in 38 countries. Atmos certified for Dolby Cinema. Nominated for Best Sound at BAFTA.

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Dark film scoring session with orchestral sheet music on a grand piano and dimly lit control room
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Technical Details

FormatDolby Atmos 7.1.4
MonitoringDolby Atmos Certified Suite
Session18 days / 94 min runtime
03

"When the director keeps rejecting mixes, the problem isn't the engineer. It's the brief."

Advertising / Broadcast Audio

Global Campaign — 60s Spot

Agency: Volta Creative, NYC

Client: Meridian Motors

Seven rejected mixes from three different engineers before this brief arrived. The creative director wanted "raw but premium, like a garage band that drives a $90,000 car." The solution was contrast — lo-fi guitar texture against a pristine orchestral swell.

Campaign ran across 14 markets. Won D&AD Pencil for Sound Design. Zero revisions after delivery.

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Professional recording studio with large mixing console illuminated by warm overhead lights
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Technical Details

Format96kHz / 24-bit, LUFS -14
MonitoringNS10 + Avantone MixCube
Session5 days / 4 versions
Studio

The Room.
The Chain.

A 480 sq ft purpose-built mixing room with 22ms RT60, calibrated to Dolby Atmos standards. Everything in the chain exists to serve the music, not impress the client.

DAW

  • Pro Tools HDX
  • Logic Pro X
  • Ableton Live 12

Monitoring

  • Genelec 1032C (main)
  • Auratone 5C (mid)
  • Sennheiser HD 800S

Outboard

  • SSL G-Bus Compressor
  • Neve 1073 Preamps ×8
  • Manley Massive Passive

Format

  • Dolby Atmos 7.1.4
  • Binaural Render
  • Netflix / Apple delivery

Download Studio Specs

Room dimensions, full gear list, monitoring chain, and rate card. Everything you need to pitch this studio to your team.

No newsletter. Just the specs.

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